Mike Berg’s Innocent of Theory at Art Rooms brings together a selection that highlights the artist’s layered approach to abstraction, spatial sensitivity, and material transitions. From multi-layered drawings and paintings on handmade paper to woven textures and metal structures, the works create an atmosphere shaped by shifting light, shadow, and forms that remain in constant flux.
Shaped by years spent between New York, Cheney, and Istanbul, Berg’s practice embraces quiet complexity rather than direct narrative. His visual language—rooted in spontaneity, subtle order, and an openness to ambiguity—reveals the artist’s observational depth and intuitive expressiveness, inviting viewers into a space where meaning remains suspended.
The exhibition, which will open with a cocktail reception on Friday, 28 November at 18:00, can be visited until 8 January 2026.
Shaped by years spent between New York, Cheney, and Istanbul, Berg’s practice embraces quiet complexity rather than direct narrative. His visual language—rooted in spontaneity, subtle order, and an openness to ambiguity—reveals the artist’s observational depth and intuitive expressiveness, inviting viewers into a space where meaning remains suspended.
The exhibition, which will open with a cocktail reception on Friday, 28 November at 18:00, can be visited until 8 January 2026.