The “Methodologies and Practices in Composition-Based Sound” webinar, organized by the Department of Sound Arts and Design at Arkin University of Creative Arts and Design (ARUCAD), was held with the participation of musician and academic Yiğit Mert Erkmen. Moderated by Mert Can Bayraktar, the webinar focused on methodological approaches and practical processes in composition-based sound production.
During the webinar, Erkmen approached sound production not merely as a technical practice, but as a compositional process shaped by concepts of structure, time, and space. Emphasizing this perspective, he stated, “For me, composition is not about placing sounds side by side; it is about designing time, space, and structure.” He underlined that sound design is an integral component of composition rather than a separate layer.
In the live demonstration segment, Erkmen shared practical examples within a digital sound production environment, illustrating how electronic and acoustic sounds can be treated within the same structural framework. Through hands-on demonstrations, he discussed layering techniques, sound ranges, and form-building processes. Addressing the role of technology in artistic production, Erkmen noted, “Technology is never the goal; it is a tool that allows sound to become part of a conceptual and structural process.”
During the Q&A session, Erkmen offered advice to young musicians and students interested in sound design, highlighting the importance of developing listening skills and embracing experimentation. He emphasized the value of persistence by stating, “Finding your own sound takes time. Making mistakes is a natural part of this journey.”
Advancing through discussion and audience questions, the webinar concluded by providing participants with both a conceptual and practical framework for composition-based sound production.
Those who wish to rewatch the webinar can access the recording via the link below:
During the webinar, Erkmen approached sound production not merely as a technical practice, but as a compositional process shaped by concepts of structure, time, and space. Emphasizing this perspective, he stated, “For me, composition is not about placing sounds side by side; it is about designing time, space, and structure.” He underlined that sound design is an integral component of composition rather than a separate layer.
In the live demonstration segment, Erkmen shared practical examples within a digital sound production environment, illustrating how electronic and acoustic sounds can be treated within the same structural framework. Through hands-on demonstrations, he discussed layering techniques, sound ranges, and form-building processes. Addressing the role of technology in artistic production, Erkmen noted, “Technology is never the goal; it is a tool that allows sound to become part of a conceptual and structural process.”
During the Q&A session, Erkmen offered advice to young musicians and students interested in sound design, highlighting the importance of developing listening skills and embracing experimentation. He emphasized the value of persistence by stating, “Finding your own sound takes time. Making mistakes is a natural part of this journey.”
Advancing through discussion and audience questions, the webinar concluded by providing participants with both a conceptual and practical framework for composition-based sound production.
Those who wish to rewatch the webinar can access the recording via the link below: